Moving Away Versus Moving Toward Is A Critical Distinction for Making a Change

orange-more-loveLast week, I did something really difficult: I announced to the GTD Virtual Study Group that I was stepping down as host and facilitator of the podcast. After nearly seven years, I am walking away. The decision to leave this role behind was a very, very hard one and I wrestled with it for months. If you were to read the pages of my journal, you’d see the back and forth: Give it up! No, keep it!

As a coach, when I’m working with someone who wants to leave something behind, I often point out the distinction between moving away from something versus moving toward something else. I’d like to explore that distinction now, to take you inside how I made the decision to walk away from a very successful and highly visible role, one that put me in front of a huge audience, and allowed me to earn accolades like “one of the most influential people in productivity.” Why would I, or anyone, do such a thing?

First, there was GTD itself. The longer I went on, the more lifeless and stiff the approach felt to me. I found myself feeling angry at the “dogma” that valued control so highly, that emphasized constant capture, endless processing, and obsessive organizing. I longed to bring spiritual, soulful, compassionate dimensions to the table but I found that when I turned the conversation to topics other than strictly GTD, I got complaints. So while I was successful in being authentic and vulnerable in that public space, I was stuck holding back and compartmentalizing a huge part of myself, biting my tongue and keeping my thoughts to myself.

As time went on, it got harder and harder for me to think of topics that I wanted to talk about. I told myself that I was burned out. But then several small events came together all at once to help me to see things differently and to show me what I want to move toward rather than what I want to move away from.

1.) I combined my office with my art studio. Suddenly, two sides of my being that had been walled off from each other were co-habitating. There is no boundary between the creative, artistic, unconventional me and the productive, methodical, systematic me.

2.) I decided to remodel my website and, after a pivotal conversation with two incredibly successful entrepreneurs, I chose to narrow my niche. The look and feel of my brand now includes aspects of me that I’d been aching to let out: artistic, feminine, fun.

3.) I told a fellow productivity guru that I was a mosaic artist and he responded, “Oh. [insert long, painful silence] Interesting.” Suddenly, a fuzzy image resolved into a clear picture. Even though I really, seriously, wanted to cuss him out, I was so happy. That’s why I don’t “get” this guy! It’s not me! It’s not him! It was the piece of the puzzle that had been missing. And it made the next step very obvious.

To be available to an audience who will embrace Soul-Full Productivity, I have to get out of the shadow of GTD.

I want to put Soul-Full Productivity center stage and talk about it all the time, with whoever will engage with me. I want spiritual, compassionate, vulnerable authenticity to be THE topic, not a side dish. I want my productivity conversation to be artistic and creative and right-brained along with the techy, left-brained, systematic. And I want to talk to people who, when I say “I’m an artist,” respond: “Cool! Tell me more!”

I made my decision public last week, on the live call. It was an emotional, vulnerable, amazing conversation. You can hear it here.

Making Bad Art is Surprisingly Difficult

You’d think it would be dead easy to make bad art. After all, making great art is what’s supposed to be hard, right? To create something of lasting beauty requires talent, skill, and all sorts of other mysterious intangibles that true artists possess. On the other hand, the rest of us mere mortals would seem to be naturals at making not-great art. In fact, we–that is, non-professional artist types like me–should have no trouble at all creating bad art. But it doesn’t work that way.

I’m finding that it takes a considerable amount of courage to risk being bad at something. I believe that for me to create good art, I have to practice and be willing to be bad at it, at least at first. But I’m afraid of being bad at it. Being an awkward beginner, I’m sure I’ll make mistakes that will cause my piece of art to look like it was created by a beginner. I don’t want my art to look like a beginner’s! And I am particularly afraid that my work will look cheesy. Yes, I have a real phobia of creating cheesy art. My solution to this is to get lost in constant preparation mode. If I am forever working up to starting, then I don’t have to begin and therefore, I will not create any bad art. Sadly, however, staying in that just-before-starting stage means I will create no art whatsoever.

This morning, I started re-reading Steven Pressfield’s Turning Pro: Tap Your Inner Power and Create Your Life’s Work. (If you’ve been stuck creatively, and haven’t read it, you should get a copy today and read it immediately.) Pressfield compares being stuck with addiction and says, “All addictions share, among others, two primary qualities. 1. They embody repetition without progress. 2. They produce incapacity as a payoff.” That’s exactly the problem with my reluctance to make bad art. I forever repeat the process of getting ready without actually starting and I am never growing as an artist.

I created this mosaic using tiles made the incredible Laurie Mika.

I created this mosaic using tiles made by an incredible mosaicist, Laurie Mika.

Of course, this kind of fear–the fear of making bad art–has huge implications for doing more of what you love. If you find yourself longing to do those things that you love but afraid to try, it’s impossible to do more of what you love! ACK. The ironic part is that when I do summon the courage to make art, it’s often not bad. It’s the fear of making bad art that’s the problem, not the art itself.

So this is my declaration: I am willing to make bad art. I am willing to be uncomfortable and to feel awkward and unsure. I am willing to be a beginner so that someday, I can progress to being intermediate and maybe even acquire some expertise. I am willing to stop preparing and actually begin, and after beginning, actually complete a work so I can begin another. That’s my promise. To me. To you. To creativity itself.

What about you? Do you experience something similar–have you overcome it yet? I’d love to hear your thoughts and stories. Drop them in the comments section.

My Website Redesign: Welcome to the New TaraRobinson.com!

A couple of weeks ago, I gave a heads up about changes coming soon. My plan was to roll out the new design in mid-May. Last week, however, I learned that a deadline had been moved up and within two days, my web designer and I had put the finishing touches on the site and went live! Here’s a little of the backstory behind the redesign, how I got it done (including the geniuses behind the new look and feel of the site), and what’s next.

Do More of What You LoveWhy Do a Redesign?

As I explained a while back, I am in the process of more clearly defining and articulating who I am and what I do. I especially want to make extra-clear that my focus is on helping people to do more of what they love. I’m still all about productivity–but with added heart and soul: juicy, unconventional, artistic, and creative. In other words, more me. Not that the website before wasn’t representing the real me–it’s just that I’ve been holding back parts of me, hiding my artistic side, for example. And I’ve had enough of holding back. I’m all in now and I want that to show. The look and feel of the newly redesigned site is now in line with that.

Who Did the Work?

I hired a terrific graphic artist, Amy Williams of Dasso Design, to create the design. Amy and I worked together over several weeks. After a couple of iterations and deep conversations, she interpreted some of my pre-existing design elements (like my bird logo, which was my own original artwork) into the new design. The moment I saw it, I loved it! I hope you do, too. She also incorporated other elements that I created, such as the hand lettering in the banner, the style of doodles and frames that I like to draw in various places, and so on.

Next, I turned to my long-time web developer, Kelly Wildman of Network Enterprises, to take the design to the web. Kelly used the Prose theme by Studio Press, which runs on the Genesis framework. Using Amy’s design as a wireframe, she worked her behind-the-scenes magic to move my entire blog archive (some 600+ posts) over to the newly redesigned site. And Kelly also endured all the stress and craziness of taking the site live on Friday. She’s a gem! And I love her lots. And she knows how much I love her.

What’s Next?

There is still some work to be done. I’ve got two solid pages of to-dos that I’m still pounding through. I’ve got some surprises up my sleeve, too, so stay tuned!

And I need your input. I want to create a new offering and I’d like to know what you’d enjoy. Audio? Video? Interviews? Conversation? Please leave your thoughts and suggestions in the comments below. Thanks!!

With love and gratitude,

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